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Virtual Author Book Tour – Your Time, My Space

Join me in cyberspace for a book tour!

February 5 – 28, 2019.  Come whenever you have time, you don’t need to dress up.

Visit each blog stop, even those already scheduled, read interviews, guest blogs, reviews, and excerpts.

Comment to enter book giveaway.

 

Doing book tours the easy way.

With the launch of the fourth and final book of my series about ancient Mayan Queens, I decided to take the easier route. For each of the previous three books, I scheduled brick-and-mortar bookstore tours. Doing these took a huge amount of time, energy, coordination, and publicity. Physical tours are also quite expensive, with travel costs and presentation materials. For the most part, my bookstore tours were decidedly not cost-effective. Of course, I really enjoyed my interactions with bookstore event coordinators and staff, and the usually small number of interested readers who attended. Traveling to Seattle allowed me to visit family and friends, and my Oregon stops were equally congenial. This time around, however, I just wanted less hassle. Virtual book tours were the answer!  Now I can stay at home, doing my book event via my computer, and even while enjoying a glass of wine.

Organizing a virtual book tour is no small task. I did seek out a few book bloggers for the earlier books, but didn’t have the bandwidth to create a real tour. So, I decided to use Virtual Book Tour (VBT) organizers for my new book. Having a professional VBT organizer certainly makes everything flow better. It’s a real pleasure to work with Teddy Rose of Premier Virtual Author Book Tours.

What you can expect when you join in my VBT.

Ten different book bloggers are hosting during this tour. They were selected because they have interests in my book’s genres, which span historical fiction, historical romance, fantasy, and paranormal novels. When bloggers and books are matched, the results are optimal. The bloggers are scheduled during a set time period, and can elect to send the author interview questions, request a guest blog post on a subject they choose, post an excerpt from the book, or write a book review. Some bloggers do more than one of these. The author receives everything in advance and sends responses to the tour organizer by a set date. Then the tour host forwards it to the blogger, who posts it on the set date.

Tour organizers advise authors to offer a book giveaway or gift certificate to readers who visit the blogs and write a comment. It’s an enticement for participation and increases visibility on the web. In my present VBT, I’m using a book giveaway, either ebook or paperback. You can enter at each blog stop for a chance to win.

Virtual book tours are a great tool for authors to get their books read, reviewed, and noticed. They help create buzz around a book release.

Ix Chel

Schedule of VBT for The Prophetic Mayan Queen: K’inuuw Mat of Palenque.

Visit each blog stop, enjoy reviews, interviews, guest posts, and excerpts. You can make comments at any time, even after the scheduled dates, and enter for a chance to win the book giveaway.

Feb. 11    Infinite House of Books    https://shannon-muir.com/
Feb. 12    Indie Review Behind the Scenes    https://www.youtube.com/watch?v=k_C6Z-GkNlU&feature=youtu.be
Feb. 15    StoreyBook Reviews     https://storeybookreviews.com/
Feb. 17    International Book Promotion     https://internationalbookpromotion.com/category/book-reviews/
Feb. 20    Rockin’ Book Reviews    https://www.rockinbookreviews.com/adult
Feb. 21    Celticlady’s Reviews    https://celticladysreviews.blogspot.com/
Feb. 28    (Susan) review on Amazon        https://www.amazon.com/gp/product/1641463651/ref
                Link to Prophetic Mayan Queen

 

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Blog Tour – The Prophetic Mayan Queen

Join the Blog Tour for The Prophetic Mayan Queen: K’inuuw Mat of Palenque

Mists of Palenque Series Book 4.

Blog Tour Dates January 7 – 11, 2019.

 

Drawing of K'inuuw Mat Name Glyph

K’inuuw Mat Name Glyph

Journey back 1300 years to the splendor and intrigue of Mayan civilization, the most advanced in the Western World. K’inuuw Mat, a royal girl who wants to dedicate her life to serving Mother Goddess Ix Chel, instead finds her destiny is marriage into the Palenque royal family, overlords of her region. With her skills in scrying and prophecy, she seeks a vision of her future husband. But, upon arriving at his city, she realizes the face she saw is his older brother, Kan Bahlam. They are immediately attracted, though she resists and follows through with marriage to the younger brother. As family conflicts, regional politics, and high court dramas play out, K’inuuw Mat shares astronomical interests with Kan Bahlam while keeping her distance. He schemes to fulfill his passion for her, assisted by fateful events that bring them together in most unexpected ways. The Goddess gives K’inuuw Mat a mandate to preserve Mayan culture for future generations, as their civilization begins the decline her prophecy foresees. She rises to meet the challenge, aided by mystical connections with ancestor women rulers who give guidance through visions. Her children help carry out the mandate through surprising links with Kan Bahlam.

K’inuuw Mat was a real Mayan women who lived during the late 7th and early 8th Centuries CE. Her portrait appears on a panel in Palenque (Tablet of the Slaves),

Drawing of Tablet of the Slaves

K’inuuw Mat on right, her husband Tiwol Chan Mat on left, offering rulership symbols to their son.
Tablet of the Slaves

seated on the right, where she offers a symbol of royal status to her son. Her husband, Tiwol Chan Mat, is seated on the left. Not much is recorded about her life, but there is a lot of information about the men surrounding her–the ruling family of Palenque and their magnificent architectural and artistic creations. Many characters are from this family, their courtiers and warriors. Fictional characters help fill out the complex relationships and intrigues.

To the Mayas, spirituality merged with everyday life. They moved between dimensions to meet with star ancestors, sky Gods, Underworld demons, shamans, tricksters, and deities who influenced every aspect of life. Rulers and priests were trained as shamans, did vision quests, and used hallucinogens to alter consciousness. They interacted with deities, cast spells, and had visionary powers. During trance rituals where they offered their own blood, the most precious substance to the Gods, they saw incense smoke turn into the Vision Serpent. From its huge jaws they saw an ancestor or God’s head emerge, giving predictions or answering questions.

I hope you’ll want to read this book, and plunge into the Maya’s exotic, advanced, and astonishing culture full of passion, pageantry, and mysticism.

 

 

 

BUY BOOK

Pre-order now!  Ebook available Jan. 13, print book Jan. 22, 2019

The Prophetic Mayan Queen: K’inuuw Mat of Palenque.  Mists of Palenque Series, Book 4.

Each book in the series stands alone and tells the story of a real ancient Mayan Queen.

Mists of Palenque Series

BLOG TOUR SCHEDULE   January 7 – 11, 2019

Learn some little-known trivia about the Mayas, and find out some things you never knew about me.  On the blog tour I’m answering a variety of interview questions, and writing some guest blog posts. The interviews were lots of fun, asking such questions as “What made you want to be an author,” “What is your favorite part of this book.” ‘Which character would you go drinking with,” “What should readers expect from this book,” “Tell about the cover and the inspiration for it,” “What part of the book’s world would you want to visit for a day,” “If a dwarf challenged you to a duel what would you do,” and details about my writing habits and quirks. My answer to the last question might surprise you, and it gives insight into the Maya world.

Drawing of Vision Serpent

Vision Serpent
Head of Ancestor Emerging from Jaws

Visit each blog on the date listed below.  Be sure to enter Rafflecopter for a chance to win an Amazon or Barnes&Noble gift certificate!

Tour by Goddess Fish Promotions.

January 7: Mythical Books – review only
January 7: Lisa Haselton’s Reviews and Interviews
January 7: Candrel’s Crafts, Cooks, and Characters
January 8: Bookaholic
January 8: T’s stuff
January 9: Fabulous and Brunette
January 9: Edgar’s Books
January 10: Paranormal and Romantic Suspense Reviews
January 10: Kit ‘N Kabookle
January 11: All the Ups and Downs
January 11: Let me tell you a story – review

 

 

 

What’s In A Name?

Romeo and Juliet

Romeo and Juliet

In Shakespeare’s play about the eternal love story Romeo and Juliet she asks:

“What’s in a name? That which we call a rose, by any other name would smell as sweet.” Juliet was referring to their last names, for she was a Capulet and Romeo was a Montague, two feuding families of medieval Verona. As we know, things did not end well for the star-crossed lovers. It appears there is more to a name than Juliet imagined.

Names are important when writing historical fiction. They conjure personalities, attitudes, strengths and weaknesses, traits and inclinations. Can you imagine King Melvin of the Round Table instead of King Arthur? Mildred instead of Joan of Arc? Consider how much mystery would be lost if we mourned over the travails of Sam and Sally rather than Heloise and Abelard.

In historical fiction, names convey a sense of time and place. Names are part of creating the “imagined world” in which the story takes place. When the characters’ names are discordant with the period and culture, it creates a jarring dissonance for readers. How characters are named adds to mood and theme, as well as signaling qualities that shape their personalities.

That said, what if you’re writing about a culture and time that is far removed from the experience of most Western-educated people? How do names then figure into the construction of world and characters? Herein lies a difficulty for writers of ancient worlds fiction, set in cultures that are vastly different than those of historic Europe. Consider the complexity of names from ancient Egypt, Mesopotamia, Asia, Polynesia, and my area:  the ancient Mayas of Mesoamerica.

Picture of hanging gardens of Babylon

Babylon in Mesopotamia

 

 

Picture of Palenque in Chiapas, Mexico

Palenque in Mesoamerica
National Geographic

Names in ancient languages vs names translated into English.

My approach to naming characters has been to use actual ancient Mayan names as phonetically spelled by researchers and epigraphers. Since conventions for these spellings have changed over the years, I had to choose which to use and selected those that seemed friendliest to English-speakers. Not all writers of ancient Mayan historical fiction do this; several use English translations of Mayan names, or a combination of translated and phonetically spelled names. I feel it’s important to use historic characters’ actual names phonetically spelled in Arabic letters. This preserves the cadence and qualities of ancient Mayan speech and helps create the feeling tone of their “imagined world.” To me, saying their names creates a vibration that resonates with their personality and attitudes. If I used English translations of their names, an essential quality would be lost, a sense of different place and culture that puts the reader into the aura of ancient Mayan civilization.

For example, these are the actual Mayan names of the four queens in my “Mists of Palenque” series, with the English translations. The Mayan names are pronounced using romance language vowel sounds: a = ah, e = eh, i = ee, o = oh, u = ooh.

Mayan name                           English translation

Yohl Ik’nal                               Her Heart/Center of North Wind

Sak K’uk                                   White Resplendent Quetzal

Tz’aakb’u Ahau                       Accumulator/Producer of Lords

K’inuuw Mat                           Sun-Possessed Cormorant

To me, a great deal is lost when these Mayan names are not used. I’ve read other books where the Maya characters have names such as Jeweled Skirt, Red Flint, Snake Jaguar, Tree Orchid, Iguana Wind, and Big Deer. These are easier for English-speakers to remember and pronounce, but lack cultural ambiance that sets mood and tone.

What’s In a Name is a Great Deal.

To disagree with Juliet, I believe names matter a lot in stories. My choice to use Mayan names for characters and places has led to bad reviews by some readers, who give low ratings with complaints that they couldn’t get past the difficult names. I wonder if they feel the same way about fiction set in ancient Egypt or Biblical times, with long and complex names but more familiar to

Picture of Toltec king on throne

Toltec City in Mesoamerica
Iztaccaltzin on Throne

European-based cultures. Moving beyond one’s comfort zone is essential to appreciate cultures that are very different from your own. Indigenous Mesoamerican cultures have some of the most complex names I’ve found, yet are rich in history and accomplishments. Recently I read a book about the pre-Aztec cultures around Lake Meztliapan, the Toltecs and Chichimecs. Many actual names were used—Ihuitimal, Eloxochitl, Topiltzin, Citlallotoc, Tlazolteotl—and I preferred these to translated names that were also used, such as Black Otter, Spear Fish, and Jade Flower.

 

One Concession to Difficult Names.

Of the four queens in my series, the third has the most difficult name:  Tz’aakb’u Ahau. This name does not roll easily off the tongue. To make reading (and writing) go more smoothly, I gave this queen the childhood name Lalak. There was no information about what her actual childhood name might have been, for she only appears in hieroglyphs after being granted her royal name. Since the love story between her and the ruler of Palenque is a dominant theme in the book, I found nice parallelism in the pairing of their names:  Lalak and Pakal—eternal Mayan lovers but with a happier ending than Romeo and Juliet.

 

Newly released print version–March 1, 2018!

The Mayan Red Queen: Tz’aakb’u Ahau of Palenque

The Mayan Red Queen

 

Join me for book release events:

March 8, 7-8 pm         Another Read Through in Portland, OR

March 23, 7-8 pm       The Book Bin in Salem, OR

April 7, 4-6 pm           Silverton Grange in Silverton, OR

Photo of Leonide Martin at El Mirador, Guatemala

Leonide Martin at El Mirador, Guatemala

Poetry of Creation Myth Recited by Yohl Ik’nal

Palenque’s Creation Myth Recited by Yohl Ik’nal.

 

Yohl Ik’nal
Side of Pakal’s Sarcophagus

 

In her transformation to adulthood ceremony, Yohl Ik’nal recited the creation myth of B’aakal, her people and land. She correctly recited from memory, and was acknowledged as “bearer of the sacred royal blood” by the ruler of Lakam Ha. She became the first woman ruler of Palenque, ruling successfully for 22 years.

From The Visionary Mayan Queen: Yohl Ik’nal of Palenque. Book 1, Mists of Palenque Series.

 

 

Glyph of Muwaan Mat

“It was before the Fourth Creation, in times long ago

Ix Muwaan Mat was born.

Of her birth it is said, she entered the sky

On the Day of Lord (Ahau), Month of Conjuring (Tzek),

For she was to bring the new creation.

Seven tuns after her birth came the new Creation,

When all counts of the long calendar returned to zero.

The Gods of the sky, of the earth, of the underworld

Knew what they must do.

They did three stone-bindings in the sky:

The Jaguar Throne Stone at the 5 Sky House;

The Water Lily Throne Stone at the Heart of the Sky;

The Serpent Throne Stone at the 13 Sky Earth-Cave.

These three stones formed the First Hearth Place,

Patterned the stars so homes on earth would have hearthstones.

(more…)

Silver Medal for The Red Queen

DD_Red Queen GeBA SilverSilver Medal GEbA

Silver Medal Winner of the 2016 Global Ebook Awards

The Mayan Red Queen: Tz’aakb’u Ahau of Palenque receives award in Fiction-Historical Literature-Ancient Worlds.

It was an exciting moment when I received the notice in August that my book won a Silver Medal in the Dan Poynter Global Ebook Awards for 2016!

Book awards mean a lot to authors. They validate our efforts and help bring our books to the LM_red hat-2attention of readers and booksellers. The Mayan Red Queen has been given favorable reviews in The Midwest Book Review (2016) and by Writer’s Digest (2016), but this is her first award. So, I am very happy and invite you to share the moment by recalling the story if you’ve read it, or reading the book if not.

“The Mayan world and its underlying influences come alive, making for a thriller highly recommended for readers who also enjoy stories of archaeological wonders.” The Midwest Book Review, Diane Donovan, Editor and Senior Reviewer.

“The quality of this novel is top notch . . . beautifully written. The plot was interesting and very unique. The author’s best skill is in crafting believable yet mythical characters that carry the story almost effortlessly. . . fans of complex world building will be absorbed by this one–with pleasure!” Writer’s Digest 3rd Annual Self-Published e-Book Awards 

(more…)

Who Was the Mayan Red Queen? Part 2 – The Evidence of Her Life

Red Queen face closeupThe Mayan Red Queen

continued to be an enigma to archaeologists for nearly two decades after her tomb was discovered in Temple XIII at Palenque in 1994. Her skeleton and inside of her sarcophagus were coated with red cinnabar, a mercuric oxide preservative used in royal burials. This led archaeologists to nickname her “The Red Queen.” It also made analysis of her bones and teeth difficult, and many years passed until scientific techniques advanced enough to provide reliable data. The lack of inscriptions and the sparse ceramic evidence found inside her tomb further muddied the waters. Most Mayan royal tombs contained carved or painted hieroglyphs identifying who was interred. The adjacent pyramid tomb of K’inich Janaab Pakal in Palenque was full of hieroglyphic records; his ancestors were carved on the sides of his sarcophagus, important gods and mythohistoric figures were painted on the crypt walls, and the sarcophagus lid clearly identified him. Numerous ceramic offerings allowed dating of the interment to the late 600s AD.

Pakal's Sarcophagus Lid

Pakal’s Sarcophagus Lid

The situation of the Mayan Red Queen was quite different. Her sarcophagus contained no inscriptions, the crypt walls were bare, and

The Mayan Red Queen's Sarcophagus

The Mayan Red Queen’s Sarcophagus

ceramics few. The shape and characteristics of the censer, vases and plate found in her tomb corresponded to the Otolum ceramic complex, which has been placed between 600-700 AD. Her life overlapped with that of Pakal, and her pyramid tomb adjoined his, so it seemed evident that there was an important connection between them. Additional corollaries in their burials include a monolithic lidded sarcophagus inside a mortuary crypt, jade masks, diadems, jade beads, pearls and three small axes in a ceremonial belt. Both skeletons and insides of their sarcophagi were painted red with cinnabar. Two significant women in Pakal’s life died in that time period: his mother Sak K’uk and his wife, Tz’aakb’u Ahau. Some archaeologists believed the Red Queen was his mother; others favored his wife. In 2012 the mystery was most probably solved when DNA studies revealed that The Red Queen and Pakal did not share common DNA. This was further supported by strontium isotopes studies conducted a few years earlier showing that the two grew up in different areas within the region. Now most agree that Pakal’s wife, Tz’aakb’u Ahau, was interred in Temple XIII and she is The Mayan Red Queen.

What do we know of her life?

West Tablet from Temple of the Inscriptions Linda Schele - Mesoweb

West Tablet from Temple of the Inscriptions
Linda Schele – Mesoweb

Unfortunately, very little evidence has been found so far. Palenque is famous for its high quality, graceful hieroglyphs and realistic carved figures. The Three Tablets of the Temple of the Inscriptions (Pakal’s burial pyramid) contain 617 glyphs, one of the longest Maya inscriptions known. The West Tablet, covering the later years of Pakal’s reign, contains two references to her:

“Seventeen days after the 3 Ahau 3 Uayeb (Period Ending), Lady Tz’aakb’u Ahau was married on 7 Caban 15 Pop.”

“Forty-seven years after she became queen, Lady Tz’aakb’u Ahau passed away on 5 Etznab 6 Kankin.”

These follow lengthy descriptions of actions taken by Pakal, and the dates are tied into the Long Count calendar by use of a Distance Number to the nearest Period Ending, which was 9.9.13.0.0 (3 Ahau 3 Uayab) or 626 AD. These later passages of the West Tablet were commissioned by their oldest son, K’inich Kan Bahlam II, after his father’s death. He recorded the marriage and deaths of his mother and father.

Tz’aakb’u Ahau is depicted in carvings on two tablets from Palenque. The Palace Tablet has carved relief figures showing her third son, K’inich Kan Joy Chitam II, seated on a double-headed serpent bar, receiving the headdress of royalty from his father Pakal, as his mother (Tz’aakb’u Ahau) offers him the god-figurine symbol of divine ancestry. This large tablet filled with rows of hieroglyphs originally adorned the rear wall of the Palace’s northern gallery, Houses A-D. The Dumbarton Oaks tablet shows a young K’inich Kan Joy Chitam II dancing in the guise of the rain god, flanked by his mother and father. This is the only surviving part of a larger composition that probably was surrounded by glyphs. The stone tablet was illicitly removed from an unknown temple in the mid-20th century; it now resides in Washington, DC.

The Palace Tablet Pakal - Kan Joy Chitam - Tz'aakb'u Ahau

The Palace Tablet
Pakal – Kan Joy Chitam – Tz’aakb’u Ahau

Dumbarton Oaks Tablet Tz'aakb'u Ahau - Kan Joy Chitam - Pakal

Dumbarton Oaks Tablet
Tz’aakb’u Ahau – Kan Joy Chitam – Pakal

 

 

 

 

 

 

 

 

 

 

Such fragments of evidence give a little knowledge of The Mayan Red Queen’s life: she came from a nearby city, married Pakal in 626 AD, bore him four sons, participated in accessions rituals symbolically after her death, and died in 672 AD, eleven years before Pakal’s death in 683 AD. She was buried regally in a smaller temple adjacent to Pakal’s.

Would you like to know more about what her life might have been? Her imagined story is told in my historical fiction book The Mayan Red Queen: Tz’aakb’u Ahau of Palenque.

GEbA-Nominee

 

It has been nominated for a 2016 Global Ebook Award!

The Red Bones Speak

Skull of The Mayan Red Queen

Skull of The Mayan Red Queen

Revelations of the Mayan Red Queen’s skeleton about who she was.

It took ten years after the discovery of the Mayan Red Queen’s skeleton in 1994 for archeologists to make progress on her identity. They had narrowed the candidates to four royal women, all connected to K’inich Janaab Pakal, but who she was eluded them. Since the Red Queen’s tomb was found in a small pyramid adjacent to Pakal’s magnificent Pyramid of the Inscriptions holding his burial chamber, it was clear that she must be closely connected with this famous ruler. There were no inscriptions on the sarcophagus or walls of the crypt to indicate the identity of the interred woman.  The candidates were:

  • Yohl Ik’nal, his grandmother – Heart of North Wind

  • Sak K’uk, his mother – Resplendent White Quetzel

  • Tz’aakb’u Ahau, his wife – Accumulator of Lords

  • K’inuuw Mat, his daughter-in-law – Sun-Possessed Cormorant

Early on, Pakal’s grandmother was eliminated because she died more than seventy years before the Red Queen’s tomb was built, and archeologists determined it was not a secondary burial. Both his mother and wife died within the time frame, and possibly the daughter-in-law, although her date of death is not known. The bones were permeated with red mercuric oxide called cinnabar, used as a preservative by ancient Mayas. The bright red color also symbolized sacred energies of blood, called itz. It was the color of the east, the rising sun, the renewal of life eternal. Cinnabar made the bone cells very difficult to examine microscopically, and the bone matrix had deteriorated over time.

Strontium isotopes analysis.  Between 1999 and 2003, a project under the Mexican National Institute of Anthropology and History (INAH) extracted samples of bone and teeth from both Pakal and the Red Queen. Studies of strontium isotopes were done by Dr. Vera Tiesler and Dr. Andrea Cucina, of the Universidad Autonoma de Yucatan (UADY) during those years. Strontium isotopes are found in

Strontium isotopes in various geological strata

Strontium isotopes in various geological strata

bedrock, and vary with the age and type of rock. Isotopes move from rock into soil and groundwater, into plants and through the food chain. In humans, strontium isotopes in skeletal bones reflect diet during the later years of life; those in tooth enamel indicate diet during childhood. Geologically different regions will have different isotope ratios. When the isotope ratios of Pakal’s bones and teeth were examined, these showed he was born and resided in later life in the Palenque region. The Red Queen’s tooth enamel had isotope ratios of a different geographic region located in the western part of Veracruz, making it likely that she came from Tortuguero or Pomona. Epigraphic evidence also indicates she was from a different city than Palenque. The strontium isotopes studies made it unlikely that the Red Queen was Pakal’s mother, who was born and lived her life in Palenque.

DNA Double Helix

DNA Double Helix

DNA analysis.  More definitive evidence that the Red Queen was not Pakal’s grandmother or mother came from DNA studies completed several years later. Dr. Carney Matheson at Lakehead University in Canada studied several bone samples from Pakal, the Red Queen, and three other individuals from Palenque. His group specialized in studying biomolecules and the processes of their degradation, especially focusing on ancient biological remains that were challenging to recover using conventional methods. In June 2012, INAH released a statement with the DNA analysis results that “confirmed that there was no relationship between the Red Queen and Pakal.” They did not have common DNA, so she was not a blood relative. Most Mayanists now believe his wife, Tz’aakb’u Ahau, was the Red Queen. There is still a slight chance it might be his daughter-in-law, or another unrelated woman. If future excavations discover the tomb of one of Pakal’s sons, DNA studies on those bones would confirm the red skeleton’s identity as Pakal’s wife. Of interest, the Red Queen’s bones were returned to

DNA Analysis in Lab

DNA Analysis in Lab

Palenque in 2012, after residing in Mexico City since their discovery in 1994. Placed in several carefully sealed boxes, her bones are kept in the archeological zone in a structure where humidity and temperature can be controlled. Her burial chamber in Temple XIII has too much humidity and temperature fluctuation to safely house the bones and prevent further deterioration. Her empty sarcophagus can be viewed in its chamber, still coated with cinnabar.

 

Temple XIII - small pyramid to right of Temple of Inscriptions

Temple XIII – small pyramid to right of Temple of Inscriptions

 

Read the story of The Mayan Red Queen in well-researched historical fiction. Compelling depiction of her life with Pakal at Palenque (Lakam Ha) during its height as a creative and political vortex.

DD_Red Queen Final

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